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12 June 2026

Karamo Brown Opens Up About Queer Eye’s Controversial Police Stunt

Karamo Brown, a member of the Fab Five, discusses the staged police incident on Queer Eye, highlighting the real fear he and his castmates experienced.

Karamo Brown Opens Up About Queer Eye's Controversial Police Stunt

The world was introduced to the Fab Five of Queer Eye in 2018, a show that aimed to spread positivity and love. However, behind the scenes, there were moments that were far from uplifting. Karamo Brown, one of the show’s beloved cast members, has recently opened up about a particularly harrowing experience that was staged for the show’s first season.

Brown’s revelations come as the show’s final season has aired, prompting him to share his true feelings about the incident and the dynamics on the set. His story sheds light on the complexities of reality television and the impact it can have on its participants.

The Staged Police Incident: A Moment of Real Fear

Three episodes into the first season of Queer Eyethe cast found themselves in a situation that was both scripted and terrifying. While driving in the South, Brown was pulled over by a police officer. What the cast didn’t know was that the incident was orchestrated by the show’s producers, with only Bobby Berk aware of the stunt.

In an interview with BuzzFeed in 2018, Brown recounted his insistence on driving that morning. ‘When we have the driving scene in the morning, we all fight over who’s going to drive. That morning, I was adamant that I wanted to drive,’ he said. This decision led to a conversation about Brown’s fear of interacting with the police as a person of color, a topic that resonated deeply with viewers.

The Impact of the Staged Scene

Looking back on the incident, Brown expressed the genuine fear he and his castmates experienced. ‘You can see, because it made it in the episode, real fear in my face and my castmates’ face because none of us know what was going on,’ he told People for its June cover story. ‘And at that moment I realized I don’t have my license, I’m in the South, I’m a Black man, and I do not feel safe right now.’

Brown claimed that the show used his race in a calculated way to create a more dramatic moment, without considering the impact it would have on him. The cop’s aggressive behavior, including asking him to step out of the car, only heightened the fear. ‘It was not acting, we were all terrified because we are part of a community that has been harassed and beaten by the police,’ he recounted.

Behind the Scenes: Toxic Dynamics and Mental Health Struggles

Since filming wrapped, Brown has been more open about his struggles with sobriety and depression. He even skipped out on promoting the show alongside his castmates Antoni Porowski, Jonathan Van Ness, Tan France, and Jeremiah Brent, citing his experience of feeling ‘mentally and emotionally abused’ while making the show.

In his interview with PeopleBrown reflected on his decision to prioritize his mental health. ‘If I stay quiet right now and pretend I’m sick or something, whose peace am I protecting?’ he asked. This question highlights the internal conflict he faced while dealing with the aftermath of the staged incident and the overall dynamics on the set.

The Producers’ Response

The show’s production company, ITV America and Scout Productionsresponded to Brown’s allegations with a statement. ‘We strongly disagree with any characterization that concerns raised during the production of Queer Eye were ignored, dismissed or allowed to continue unchecked,’ they said. The producers emphasized their commitment to fostering a respectful and professional environment for the cast and crew.

Despite the controversies, the producers expressed pride in the show’s lasting impact and the community it helped build over more than 20 years. This statement underscores the complex relationship between the cast’s experiences and the show’s overall legacy.

Author

Florence Wright

Florence Wright, Glasgow native with an editorial-minimal aesthetic, rerouted a social feed to live-cover a Pollok Park remembrance event, prioritising human detail over algorithmic reach. Promotes clarity, humane framing and local resonance; keeps an archive of Polaroids from neighbourhood gatherings as a personal emblem.